Change ). “Psycho” is a masterpiece in a lot of ways: It was the first slasher movie in history, it totally shocked the audience in a lot of ways, the shower murder scene holds the record as the movie music scene that is most discussed, and Bernard Herrmann’s score is considered as the ultimate score for a horror movie. Soundtrack Analysis - Psycho In the clip that we are provided (known as “The Murder) we are given a very famous and influential scene from one of Alfred Hitchcock's most critically acclaimed films. Countless movie-goers who have never heard of Bernard Herrmann nevertheless are quite capable of immediately recognizing his most famous motion picture score -- the score for the 1960 Paramount film Psycho. The strings refer to the black-and-white filming of the movie and create a darker and very intense effect. Sorry, your blog cannot share posts by email. This can be seen heavily in the natural likenesses of the both piece’s conclusions though, as we’ll see, some aspects are not quite agreed on completely. The implication of Fenimore’s argument appears to be that the voices, both out of body in the soundtrack and the musical voices of the score, are what makes Psycho so psychologically effective and “thrilling” for audiences, both then and now. All written material, logo, videos and photography are copyright © 2009-2020 Celluloid Wicker Man and Adam Scovell. The reviews and other textual content contained on the amazingmoviemusic.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Stefan Riedlinger. Psycho soundtrack from 1960, composed by Bernard Herrmann. Psycho, film score by American composer Bernard Herrmann for the 1960 film of the same name, directed by Alfred Hitchcock.. Post was not sent - check your email addresses! There is so much to say about this movie and the music that it is really difficult to write just two pages. Psycho essays are academic essays for citation. For me, Universal was living film history. While this has made it ripe for critical analysis (as well as general readings of its ties with narrative, mise-en-scène, philosophy and psychology) any new thoughts and readings are now most likely to come from a comparison of the these readings. DANGEROUS MOONLIGHT Warsaw Concerto: 14. Herrmann used the strings and the special way they were played to transform the shocking violence of the scene into music. There is so much to say about the movie and the music, but let’s stop it here. Psycho analysis 1. GONE WITH THE WIND Tara: 15. Herrmann’s score is perhaps one of the most instantly recognisable in the whole of cinema. Whether it is the overtly Freudian dialogue that Hitchcock takes up within his narrative, the film’s visual look or the film’s music, there seems to be very little left to find from dissecting the original material. He started to write for pulp magazines such as “Weird Tales” and was influenced by H. P. Lovecraft (1890 – 1937), the American horror story writer who became famous because of the creation of the “Cthulhu Mythos”. I found this version, conducted by Herrmann himself even though it sounds to me a little slow in tempi: Here is a version conducted by Joel McNeely, I like better because it is faster: The music for the shower scene is very famous. A lot of myths exist about this scene, and, for example, graphic designer Saul Bass claimed that he directed the scene. Herrmann refused to compose as jazz score and took the lowered music budget to compose a score just for strings and not for a full orchestra. ( Log Out /  “An Audiovisual Foreshadowing in Psycho” breaks down Herrmann’s score into its very basic, musical elements in order to show its somewhat overt relationship with the visuals of Saul Bass’ opening title sequence. You can also analyze a movie and a soundtrack to death. So immediately Bernard Herrmann’s decided to do away with what your traditional orchestral palette might offer. Change ), You are commenting using your Google account. Let's dissect Psycho, one of Alfred Hitchcock's masterpieces. “If Psycho had been intended as a serious picture, it would have been shown as a clinical case with no mystery or suspense. Alfred Hitchcock created a masterpiece with “Psycho”. The constant analysis of the music is, however, understandable with Sullivan believing that “Herrmann’s music is inseparably linked with the film in the popular imagination; indeed without it, Psycho would probably not exist.” (2006, p.243). Today, we are not only past this stage of post-modern reappraisal but that of a post-analysis era too. Herrmann just tried to use the best effect to scare the hell out of the audience. We’ve already mentioned that total plausibility and authenticity merely add up to a documentary.” – Alfred Hitchcock (1984, p.202). PSYCHO The Murder: 7. He has a wicked sense of humour and his short stories are famous for the surprising twists in the end. The constant analysis of the music is, however, understandable with Sullivan believing that “Herrmann’s music is inseparably linked with the film in the popular imagination; indeed without it, Psycho would probably not exist.” (2006, p.243). Bernard Herrmann, the composer for the movie did a sensational soundtrack with … There’s no woodwind, no percussion, no brass: you’re limited to just strings. Bloch, however, commented that it was the situation itself - a mass murderer living undetected in a small town in middle America - rather than Gein himself who inspired his storyline. ( Log Out /  The record was released on December 1, 1998 by Geffen Records. RAILING Analysis: Psycho In the opening credits of Hitchcock’s Psycho there are a series of grey bars which enter and exit throughout the scene. Eroticism in the Music of Béla Bartók – Part 2 (Post-Wagnerian). Here is the famous scene: Bernard Herrmann was the composer for a lot of Hitchcock movies and with “Psycho” he created his masterpiece. While wider reading leads this statement to appear obtuse, it does highlight musicologist’s obsession with Herrmann’s influence and the potential for new contexts. Change style powered by CSL. Raising this "scary movie" to a thriller of epic proportions. He added two scenes – a spider crawling out of Mrs Bates mouth, and Norman masturbating when seeing Marion -, both really stupid ideas like the whole remake a waste of money and time. The album includes three adaptations of Bernard Herrmann's score to the original by Danny Elfman (Elfman's adaptation was later released on a separate album. You can see the importance of Herrmann's contribution to the movie in the opening credit sequence, as it is followed only by Hitchcock's directing credit. His focus is far more narrative based, looking at the extra-musical effects that occur when vision allows sound and music to appear from no obvious source. Psycho is an American horror franchise consisting of six films loosely based on the Psycho novels by Robert Bloch: Psycho, Psycho II, Psycho III, Bates Motel, Psycho IV: The Beginning, the 1998 remake of the original film, and additional merchandise spanning various media. Psycho: Music from and Inspired by the Motion Picture is the soundtrack album to the 1998 remake of Psycho. A Tale of Two Psychos ; From Novel to Camera: Gothic Elements in Psycho; Auditory Thriller: Sound, Music, and Audience Emotions in 'Psycho' In Psycho in the Shower Philip J. Skerry indeed describes this as "Cinema's Most Famous Scene", and it very well may be. The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality. The first film, Psycho, was directed by filmmaker Alfred Hitchcock. But it was made despite much resistance. The material would have been used as the documentation of the case history. Here is a video about how Hitchcock manipulates the audience: The shower murder scene is the famous scene of the movie. Change ), You are commenting using your Facebook account. I read the book 20 years ago for the first time, and even Bloch is one of my favorite writers of crime novels, this novel is really not his best, and the way of storytelling is not very good in this novel. And the stupidest idea has ever been Gus Van Sant's "shot-by-shot" remake. It is a gorgeous scene and one proof that Hitchcock is perhaps the best director of crime movies ever. I found a great music clip and even though I did not like the middle part of this track, the idea with the knives is just great. The first section of this essay will concentrate on an essay by Scott Murphy. A Tale of Two Psychos ; From Novel to Camera: Gothic Elements in Psycho; Auditory Thriller: Sound, Music, and Audience Emotions in 'Psycho' If quoted or referenced, do get in touch to let the author know. PSYCHO Finale: 8. Enjoy: Copyright © Stefan Riedlinger, 2017, all rights reserved. The soundtrack of screeching violins, violas, and cellos was an originalall-strings piece by composer Bernard Herrmann entitled "The Murder. As … Psycho is by far the scariest movie I have EVER seen. The plot itself is enough to scare a grown man, but then, Hitchcock adds his extreme camera angles, shadows, and music. Alfred Hitchcock's Psycho has been commended for forming the archetypical basis of all horror films that followed its 1960 release. The main title music is a very tense and hurtling piece. Because this is a graded project, I … ( Log Out /  Psycho became Hitchcock’s most successful film at the time—its box-office take, $32 million, was the second best of 1960, after Spartacus. Herrmann biographer Steven C. Smith wrote: When Herrmann played the shower scene cue, the director approved its use. BEN-HUR Parade of the Charioteers: 11. Find album reviews, stream songs, credits and award information for Psycho [1960] [Original Motion Picture Soundtrack] - Bernard Herrmann on AllMusic - 1999 - … It is very interesting that the whole scene is working mostly in the mind of the audience because there is no close up of the knife hitting Marion’s body. Here is the official trailer: American writer Robert Bloch (1917 – 1994) is one of the best writers for crime and horror novels. The whole scene has a very minimalistic approach as all that is displayed is grey bars and the people who have featured in … In the analysis that follows, I consider Psycho a starting point. Just two aspects are responsible that “Psycho” works well: the totally surprising killing of Marion and the identity of Norman. Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th … Hitchcock always acknowledged the importance of Herrmann’s music to the success of the film, saying that ‘33% of the effect of Psycho is due to the music’. With hints of more psychological elements, it is a basic starting point to look at ideas that come to the fore in the next essay. Essays for Psycho. Images are the copyright of original owners unless otherwise stated. I found a very good performance of the score and watch at the smile of the conductor before he conducts the shower scene music: Interesting is also Hitchcock first did not want to have music in this scene, but was convinced when Herrmann played the cue. And speaking of imperial, Tony once introduced me to Lew Wasserman at the commisary. These papers were written primarily by students and provide critical analysis of Psycho directed by Alfred Hitchcock. Psycho opening analysis year 12 1. Bloch was not aware who really bought the rights for the movie adaption, so Hitchcock could make a great deal. Psycho essays are academic essays for citation. Try to watch the scene without the music and you can understand the genius of Herrmann’s approach. 1959 Boch wrote “Psycho”, a novel about a serial killer with a split personality, based on real serial killer Ed Gein, who also was an inspiration for “The Silence of the Lambs”. Each reading will be assessed for its process, its argument, its merits and its downfalls, perhaps finally allowing a new assessment of this endlessly layered musical score and film. These papers were written primarily by students and provide critical analysis of Psycho directed by Alfred Hitchcock. The scene was shot in December 1959 with 77 different camera angles. The closing shots are not graphic but symbolic, as blood and water spin down the drain, and the camera cuts to a closeup, the same size, of Marion's unmoving eyeball. In this essay I will be doing a close analysis on the famous shower scene in Alfred Hitchcock’s Psycho, 1960. Something in the Air (American Psycho Remix) Written by David Bowie and Reeves Gabrels Performed by David Bowie Additional Production and Remix by Mark Plati Courtesy of Nipple Music (BMI) administered by RZO Music, Inc., My Half Music (ASCAP) administered by Bug Music, Inc. and Risky Folio, Inc./Virgin Records America, Inc. BEN-HUR Love Theme: 10. Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 1. It’s difficult to imagine the true impact of the film and its music on its original audience since its constant deconstruction has almost become a part of the modern, cinematic experience itself. Herrmann, Hitchcock and Psycho Psycho was the sixth collaboration between Hitchcock and Herrmann and is one of the classic horror/thriller movies, perhaps establishing the genre. The critics at that time did not like the movie, but critics were never really fair to Hitchcock, but the movie was a huge box office success, also because of Hitch’s very clever marketing ideas: The "no late admission" policy for the film was unusual for the time. “Voices that Lie Within” is a subtly psychoanalytical essay by Ross J. Fenimore. A survey conducted by PRS for Music, in 2009, showed that the British public considers the score from 'the shower scene' to be the scariest theme from any film. Tenebrae – Dario Argento (1982) – Arrow DVD SteelBook. THE MAGNIFICENT SEVEN Overture American Psycho is indeed very hard going with all of the minute detail that Bateman gives for every aspect of his daily life. TAXI DRIVER Main Theme: 12. Change ), You are commenting using your Twitter account. 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